The Phyrigian mode has a flatted second, third, sixth, and seventh. The E major scale, on the other hand, looks like this: E, F#, G#, A, B, C#, and D#.Īs you can see, there are quite a few altered notes here. The notes in the Phyrigian mode are: E, F, G, A, B, C, and D. The Phyrigian Mode Is A Major Guitar Scale It is often used in jazz and blues improvisation. So we would say that the Dorian mode has a “flatted” third and a “flatted” seventh.īecause of this, the Dorian mode has a slightly exotic “minor” sound to it. So we can see that the D Dorian mode differs from the D major scales in two ways: the F# and the C#.
It’s better to compare it to the D major scale, which is: D, E, F#, G, A, B, and C#. What changes is the note you’re starting and ending on.īut comparing it to the C major scale isn’t really helpful in terms of developing context. Simple enough, right? The other modes work exactly the same way. So, if we were to use the C major scale as an example again, the notes in the D Dorian mode would be: D, E, F, G, A, B, and C. The second mode of the major scale, the Dorian mode, is basically the major scale starting and ending on the second note of the major scale. It's a happy sounding scale and is synonymous with most familiar melodies. There isn’t a whole lot more to be said about the Ionian mode, because its use in popular music is widespread and ubiquitous.
In the key of C, for example, the notes in the Ionian mode would be: C, D, E, F, G, A, and B. It may have a very odd sounding name, but the Ionian mode is basically just the major scale with no alterations.
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